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Verdict: A provoking portrait on LGBT issues, revealing the simplicity and the pureness of love.SCFFI aims to create a future where storytelling, and in particular film, are used to empower marginalised communities and individuals to tell their stories and instigate change to createĪ more just, humane and sustainable future. The film, produced by Kresna Duta Foundation in cooperation with Ardhanary Institute and Ford Foundation, also reveals how the people around the main characters see and perceive the differences. While some movies depict LGBT in a quite similar way, where the leading character is an LGBT because of an unhappy childhood or terrible experiences in the past, Sanubari Jakarta offers broader insight into LGBT. “It was like assembling the puzzles into one interesting piece to keep moviegoers in their seats through to the end of the movie.”
#Sanubari jakarta how to#
“It was a tough job for us on how to connect the stories, building a bridge between one story to another,” said Lola. Lola came up with Lumba-Lumba (Dolphin), which highlights the love between a young and pretty kindergarten teacher and a student’s mother, while Aline Jusria provides some laughs in comedy Kentang (Potato), which is a story about a gay couple.Īdriyanto Waskito Dewo interestingly created a black-and-white The Artist-like piece, portraying a picture-perfect relationship between two men in Menunggu Warna (Waiting for the Color). Malam Ini Aku Cantik (I am Beautiful Tonight), for instance, tells the story of a cross-dresser eking out a living on the streets to support his wife and daughter, while Pembalut (Pads) revolves around a stormy relationship between a lesbian couple.
#Sanubari jakarta free#
The directors were free to share their ideas on the stories, while Laila Nurazizah penned the stories into screenplays. We believed that they could do it, so we supported them.”ĭue to limited funding, the filmmakers covered the cost of production using their own funds and money from sponsorships, while the producers searched for funding for the post-production process. “We wanted to give them this opportunity (in filmmaking). “There was no definite criteria in recruiting the directors, but they do have one thing in common: they have a passion for film,” said Lola.
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Prominent music video director Sim F and Lola might the only two prominent directors among them, while Dinda Kanya Dewi and Kirana larasati are known more as soap opera actresses. The names of most of the filmmakers, who come from different backgrounds, might not ring a bell as they are newcomers in terms of directing. Lola added, “They (LGBT) are among us, part of us. We hope that through this film, people will start to accept that everybody is the same.” Many people, however, have no idea about the stories,” she said. “We want to show people that such events in the film most likely happen around them. This film, Fira added, is also aimed at dispelling the stigma attached to LGBT. Everybody needs to be loved despite his/her sexual orientation.”
#Sanubari jakarta movie#
“We produced this movie with love, even though we captured love from a different perspective. We cannot live without love, we cannot work without love,” Lola explained during a press conference after the movie’s screening. “The essential thing (in this is movie) is love. The stories themselves, Lola said, are based on actual events in the capital with a touch of fiction to construct the drama. Actress-director-producer Lola Amaria returns with another captivating idea of bringing the lesbian, gay, bisexual and transgendered theme to the big screen.Īfter portraying the bitter-sweet life of Indonesian migrant workers in the 2010 drama Minggu Pagi Di Victoria Park (Sunday Morning At The Victoria Park), Lola and her co-producer Fira Sofiana mustered 10 directors to bring together 10 short stories under an omnibus titled Sanubari Jakarta (Heartbeat of Jakarta).